sa pagsabwag – sa pagkopya, pag-apod-apod ug pagsabwag sa hinimo
sa pag-remix – sa pag-adap sa binuhat
Ubos sa mosunod nga mga kondisyon:
atribusyon – Kinahanglan nimo nga hatagan ang angay nga kredito, maghatag usa ka link sa lisensya, ug ipakita kung adunay mga pagbag-o. Mahimo nimo kini buhaton sa bisan unsang makatarunganon nga paagi, apan dili sa bisan unsang paagi nga nagsugyot nga gi-endorso ka sa licensor o ang imong paggamit.
share parehas – Kung imong gi-remix, gibag-o, o gibase sa materyal, kinahanglan nimo nga iapod-apod ang imong mga kontribusyon sa ilawom sa parehas o katugma nga lisensya sama sa orihinal.
The photographical reproduction of this work is covered under the article 48 of the Brazil copyright law, which states: Works permanently located in public places may be freely represented by painting, drawing, photography and audiovisual processes.
Warning: FoP is allowed in Brazil, including commercial use, to some extent. Artworks placed in locations with access to the public can be freely represented by photography, painting, drawing and audiovisual means. Commercial use is allowed, as long as the artist's work is properly attributed, the representation does not consist in a reproduction. The existing jurisprudence consistently allows commercial use of artworks under FoP, as long as the artwork is accessory, and not detached from its surrounding elements, and therefore not unfairly used to produce revenue that by law belongs to the artist. Violation of those rights is frequently punished by Brazilian courts with pecuniary indemnisations to the offended party.